Category: storytelling (Page 2 of 2)

Recent Reads – Europe in Autumn

Why did I love Europe in Autumn by Dave Hutchinson so much?

The book is a spy thriller set slightly in the future, in a time when the countries of Europe is dissolving. Every man and his dog is seceding, setting up their own principality. Borders are a bureaucratic nightmare and black marketeers are taking advantage of the chaos.

The hero is Rudi, an Estonian chef turned courier, who gets deeper and deeper into the murky world of espionage.

The book is in four parts following Rudi from his first gig until the point when it all goes wrong. It is almost like four novellas, pieced together eventually. The middle section with Rudi’s family in Estonia seems out of step at first until more details are revealed. I adored the excerpt from the map-making of Whitton-Whyte and the twist delighted this little sci-fi fan.

Why did I enjoy this book so much?

Perhaps it was the mix of vivid characters; the burly Hungarians, the obnoxious mentor Fabio, Rudi’s bizarrely robotic English captors, the grumpy crusty Pawel. The characters were well rounded and real.

Perhaps it was the slight weirdness of the world. Quite similar to our own, yet with minor technological and geo-political differences.It was familiar and yet intriguing. There was little time spent world building, the story jumps right in and explains the world as we go. Yet there are enough odd little details to remind the reader that this is not your ordinary Tom Clancy thriller.

Perhaps it was the wry English humour. The dialogue was sharp and believable. I chuckled out aloud a number of times.

Plus a cracking plot.

Let’s just say, I really liked this book.

But the topic of genre provoked the most thought for me. This is classified as a science fiction novel – which it is. The world is futuristic, but only looking a few years into a possible future. I was so curious about the genre of this novel, I contacted the author. I had a nice conversation with Dave Hutchinson over Twitter regarding the genre classification of this book. Hutchinson describes it as a “near-future espionage thriller”. This is a very apt description.

I struggle with the “science fiction” label because it brings to mind aliens and spaceships. My own writing is in a similar vein to Hutchinson’s – a different world not too dissimilar to our own. Is speculative fiction a better description or “fantastika” as Hutchinson offered? Yet, your average punter doesn’t use the expression ‘speculative fiction’. When I look at the categories for sci-fi in Amazon, the only vaguely applicable are “dystopian” and “post-apocalyptic” but my own writing and a book like Europe in Autumn does not fit with the other zombie invasion novels.

Anyway less about me and more about Europe in Autumn. If you like a well built near-future world with espionage, great characters and good writing, I recommend you take a look at Europe in Autumn.

I’m off to read the sequel…when I’ve finished The Wise Man’s Fear.

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Feast menu from Return to the Forest

I’m in the process of revising Book 2 of my Monolith series Return to the Forest. Today I’m sharing a menu from one of my scenes. Who doesn’t like descriptions of food and feasts in particular?

It is the solstice ceremony of Sundku held on a hilltop clearing, where the religious community of the Sisters live.  All the local women travel to the Sisterhouse for Sundku to welcome the early signs of Spring, the fading of the long Winter and to seek the blessing of fertility from the Goddess.

They dance, sing and chant around the pyre, honouring the Goddess and once the circle is closed, the women feast. Hungry after their homage, they need a hearty meal.

At the end of winter, fresh food is scarce but the women of the Forest are wise and resourceful. It would insult the Goddess to skimp on food at Sundku.

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Each woman brings her own contribution to the feast. The long wooden table is piled with;

  • Rabbit stew: served in a thick gravy seasoned with pepper berries, slow cooked in a large pot over an open flame. The stew is served in carved wooden bowls.
  • Acorn bread: heavy and hearty, baked from ground acorn flour into loaves. The fire baked bread is coated with a crunchy caramel coloured crust. The loaves are cut into hunks and the women dip the bread into the rabbit stew, soaking up the gravy.
  • Jam cakes: local blackberries are harvested in summertime and preserved in earthenware jars to last throughout the cold winter. The jam cakes are baked with more acorn flour, dotted with dollops of sweet black jam. The cakes are golden palm-shaped discs with a hint of summer sweetness.
  • Red wine – of course

I hope you enjoyed a little view into the food world of Return to the Forest.

Hungry?

 

 

When did you feel like a “real” writer round-up?

In early December, I ran a series of posts asking writers…

When did you feel like a “real” writer?

I was lucky enough to get responses from Gail Carriger, Val McDermid, Joanne Harris, Ben Aaronovitch, Victoria Schwab, John Scalzi, Kim Newman, Neil Gaiman, Joanna Penn, Mark Dawson, Barbara Freethy and Kate Elliott.

There were a few themes running through the responses

  • Doubt and the imposter system persists (regardless whether you’ve sold millions)
  • Sometimes it’s your first big deal or success
  • Sometimes it’s not until you reach magic book no. 5

But mainly, you are a real writer when you write….

Now it’s your turn, when did you feel like a “real” writer?

 

Siblinghood of the World Blogger Award – my responses

I’ve been nominated by Beverley Lee to answer the following questions as part of the Siblinghood of the World Blogger awards. I answer 10 questions, then I pose 10 more questions to 10 more bloggers. Here we go…

Your favourite author is going to call you for a once in a lifetime chance to talk. You can only ask them one question. Who is the author and what is the question? Why?

I can’t narrow it down to one writer.

The more I grow as a writer, I realise we all share the same self-doubt and struggles with wrangling our stories. So the one question I’d like to ask all writers I admire is…

When did you feel like a “real” writer?

Which fictional character would you want as a friend, and why?

Which fictional character would you want as a friend, and why?

Nightingale from the Rivers Of London series. I want my own immortal magical mentor with impeccable pre-war dress sense. I imagine him being like Bill Nighy.

List three books you’ve read more than three times.

  • Anne of Green Gables by L.M. Montgomery
  • Anno Dracula by Kim Newman
  • The Corrections by Jonathan Franzen.

How’s that for a weird combo.

Who would you say is your greatest writing influence in terms of your own style?

I think my influences are from the opposite side. I know what I dislike, so I avoid that type of writing. I have a background in the corporate world and business writing, so my style is simple. I don’t like overly flowery writing because I’m a lazy reader. The style is important to my reading pleasure. Some styles (and writers) do my head in and so I quickly switch to something cleaner.

What are you working on at the minute?

Starting today, I’m writing the next novella in my Evangeline steampunk series. This novella is about seances and spiritualists.

Which actor/actress would you like to see playing the lead character from your most recent book?

She is in serious trouble of being typecast, but from the recent Dr Who episodes playing Ashildr/Me, I can absolutely see Maisie Williams as my character Alga from the Monolith series.

How important is a book cover to you? Would it influence you over the back blurb?

A good cover is so bloody important. There are some serious ugly covers out there, especially in the self-publishing world, but I’ll admit, often I don’t read the back blurb. There have been many times when I’ve been wowed by an early plot twist, then later on read the back blurb.

Before I buy or borrow (library love), I have to read a page at random. There are certain flowery styles of writing which I can’t handle (see above answer).

If you could live in one fictional world, where would you live?

China Mieville’s Bas-Lag world from Perdido Street Station. What’s not to like …aliens, steampunk and magic. Mieville’s world building is crazy detailed and luscious. I feel I could step right into the pages and live there.

Do you let other people borrow your books?

Absolutely. Words and books are to be shared. Share the love.

Books have some of the most wonderful quotes among them. Which is one of your favourite quotes, and why does it resonate with you?

Let’s go back to my favourite kooky melodramatic Canadian redhead.

It’s been my experience that you can nearly always enjoy things if you make up your mind firmly that you will.

Thank you Anne Shirley and L.M. Montgomery.

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My Ten Questions

  1. When did you feel like a “real” writer?
  2. How do you overcome resistance?
  3. What advice would you give yourself as a wannabe writer?
  4. Do you prefer writing or editing?
  5. What part of the writing process do you struggle with the most?
  6. Do you Nanowrimo?
  7. What authors do you follow on social media?
  8. What’s more important to you; a good plot or beautiful writing?
  9. Do you take yourself on artist’s dates? What do you do?
  10. When friends and family ask “can I read your book?” What do you say?

My 10 nominated bloggers

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