Author: Madeleine D'Este Page 5 of 6

Feast menu from Return to the Forest

I’m in the process of revising Book 2 of my Monolith series Return to the Forest. Today I’m sharing a menu from one of my scenes. Who doesn’t like descriptions of food and feasts in particular?

It is the solstice ceremony of Sundku held on a hilltop clearing, where the religious community of the Sisters live.  All the local women travel to the Sisterhouse for Sundku to welcome the early signs of Spring, the fading of the long Winter and to seek the blessing of fertility from the Goddess.

They dance, sing and chant around the pyre, honouring the Goddess and once the circle is closed, the women feast. Hungry after their homage, they need a hearty meal.

At the end of winter, fresh food is scarce but the women of the Forest are wise and resourceful. It would insult the Goddess to skimp on food at Sundku.

picnic

Each woman brings her own contribution to the feast. The long wooden table is piled with;

  • Rabbit stew: served in a thick gravy seasoned with pepper berries, slow cooked in a large pot over an open flame. The stew is served in carved wooden bowls.
  • Acorn bread: heavy and hearty, baked from ground acorn flour into loaves. The fire baked bread is coated with a crunchy caramel coloured crust. The loaves are cut into hunks and the women dip the bread into the rabbit stew, soaking up the gravy.
  • Jam cakes: local blackberries are harvested in summertime and preserved in earthenware jars to last throughout the cold winter. The jam cakes are baked with more acorn flour, dotted with dollops of sweet black jam. The cakes are golden palm-shaped discs with a hint of summer sweetness.
  • Red wine – of course

I hope you enjoyed a little view into the food world of Return to the Forest.

Hungry?

 

 

Three tips improved my writing in 2015

It’s the time of year between Christmas and New Year, like the lull between two waves. Time for planning and reflecting.

Here are the three writing tips I learned in 2015. These three tips definitely made me a better writer.

  1. Specificity
  2. Simplicity
  3. Different scripts

*Disclaimer – I can’t remember where I got these tips from. If it was you, thanks and sorry.

Specificity

Let’s get specific. Lazy writing is full of things, stuff and them. This year I learned to be specific about what I am writing. In 2015, I got out my nouns. First drafts can be full of vagueness but once the red editing pen comes out, it’s time to be precise. But specificity must be paired with tip#2, otherwise the words will grow and multiply like mice. And there’s nothing worse than a mouse plague…shudder…

Simplicity

Why use ten words when you can use two? My writing style is simple, mainly because I don’t like verbose writing personally, but this year I learned to use embrace the simple (and specific). Why use an adjective when I can find the right verb? He didn’t walk, he strutted, she plodded, we ambled. There is more power in brevity.

Like botanical illustrations, I strive to be both simple and specific.

Different Scripts

The third tip is about dialogue. Any scriptwriter knows this stuff but it was a revelation for me. This year I learned that each character has their own agenda in any conversation. Everyone has their own desired outcome from any discussion and our agendas will clash. This tip has helped me to stop my dialogue from being an exposition fest

In normal conversation, there are misunderstandings and confusing conversations when someone doesn’t say what they actually mean. There are a myriad of reasons why we don’t speak our minds. This is also true in dialogue. Each character is reading from their own script and the scripts don’t match.

Your turn – what great tips did you learn in 2015?

Five things which distract me from my writing

I am boringly conscientious. It was always on my school report…Madeleine is a conscientious student. But stuff still distracts me from writing.

Noise, generally power tools

I live in an area filled with older homes under renovation. If the gentle roar of power tools isn’t coming from my own house, it’s one of my neighbours drilling, sawing or generally banging loudly.

Headphones are good.

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Social media & the internet

I’m not alone. I know the blasted internet and social media call to us all. Distract me. Validate me. Just check the weather. Maybe someone liked my tweet. A quick look at the news. Next thing I know, it’s thirty minutes later. Damned instant access to everything ever.

The day job

Unfortunately I’m not independently wealthy or a kept woman, so I have to work. This is a major distraction from writing. Although perhaps with more time on my hands to write, there’d be more opportunity for other distractions to creep in.

cubicle-farm

People – reminders I need to have a life too.

Note to self – occasionally stop writing and socialise. While Mr Madeleine and friends are a lovely distraction, if they interrupt at the wrong moment, they are in danger of encountering extreme grumpiness. As with many things, timing is important.

Resistance

I often talk about Resistance. The little evil man on my shoulder telling me I’m crap and I’m wasting my time with this writing stuff. He is the root cause of most of my writing distractions.Some days he is stronger than others. I try to ignore his little snarks and keep putting my fingers on the keyboard.

What distracts you from your writing (or other goals)?

When did you feel like a “real” writer round-up?

In early December, I ran a series of posts asking writers…

When did you feel like a “real” writer?

I was lucky enough to get responses from Gail Carriger, Val McDermid, Joanne Harris, Ben Aaronovitch, Victoria Schwab, John Scalzi, Kim Newman, Neil Gaiman, Joanna Penn, Mark Dawson, Barbara Freethy and Kate Elliott.

There were a few themes running through the responses

  • Doubt and the imposter system persists (regardless whether you’ve sold millions)
  • Sometimes it’s your first big deal or success
  • Sometimes it’s not until you reach magic book no. 5

But mainly, you are a real writer when you write….

Now it’s your turn, when did you feel like a “real” writer?

 

Who is your favourite villain of all time?

Villains. We need them.

We need the villain to threaten our hero. We need our villain to be strong and clever. We need her to give our hero a hard time. Villains add colour and complexity to our stories, they bring the complications.

But when I thought about villains, only the scary characters came to mind. Those men and women who send shivers down my spine. And one man jumped into my mind.

This is not my favourite villain for his intelligence or his outwitting of the hero. He brings no witty retorts. He just scares me like no one else can.

I bring you.

Bob from Twin Peaks.

theres-bob

Excuse me while I go and hide behind the couch…..

Who’s your favourite villain?

Seven random facts about me

Here are seven random facts about me.

  • I dislike romantic comedies

  • I’ve got a law degree and an MBA

  • I was a teen goth

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(This is not me)

  •      I lost 35 kilograms and have kept it off for over 7 years

  •      I like my coffee strong and black, with no sugar

black-coffee

  •      I’m scared of mice

  •      My first concert was John Farnham in Launceston 1986

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4 resources for naming my characters

How do I approach naming my characters? Today I’m answering a few questions on character names from AJ Lundetrae.

Chanel, Dior, Lagerfeld, Givenchy, Gaultier, darling. Names, names, names!

Edina Monsoon, Absolutely Fabulous

 

How important are names to you in your books?

Names are very important to me.

I was a strange child and completely obsessed by boarding school books (especially the Chalet School). Using my illustrated atlas and a reference book of names and their meanings, I created my own school rolls. Lists of girls names and their exotic home cities.

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A name tells you a lot about a person’s past, their heritage, their social position. Names are infinitely fascinating. Especially in writing (rather than making your own children) when you get to choose the first and last name. In writing, your names can be descriptive of the character’s personality or mannerisms. And it’s just plain fun.

Do you choose the names based on liking the way it sounds or the meaning?

A little of both.

For my Monolith series, I have been obsessed with length. For my main characters, they all have names with four letters; Hana, Alga, Lucy, Erin and Mora. The lesser characters tend to have names of five letters.

Alga is an indigenous Northerner from a goddess worshipping religious community. For Alga, I searched for a four letter names with Estonian and Latvian heritage. I have also made up names for other characters but using foreign language name lists as inspiration.

I really struggled with the right name for Mora for over a year. Mora is the wise feisty grandmother. At one point she was named June, then Vera but now I have settled on Mora. Slightly inspired by the feisty playful Australia artist Mirka Mora.

For my steampunk novellas, I had great fun finding silly place names from the United Kingdom. I didn’t need to make them up. They are all real villages, hamlets or towns from various counties. I also searched for historical popular names on the census.

But in the end, the sound is most important to me.

And a tip I picked up somewhere – avoid names ending in “s”. This makes it messy when adding the possessive noun.

Do you have any name choosing resources you recommend?

My manager at work caught me looking at baby names lists recently and asked me if I had anything to tell her. So, yes, baby name lists from pregnancy sites. I have also found names by number of letters, for my obsession with four letter names.

I also search for foreign names and place names.

Here’s a few examples

 

As you can see, I have finally found a use for my obsession with names. If only I’d kept my list of names for my fictitious boarding school. I could finally find a home for my school girls.

How I “finished” – Tip#8 Listening to my gut

Listening to my gut

Feedback from others is super important but I’m learning to listen to my own internal feedback – my gut instinct.

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Sometimes I fretted about a scene or a character but doubted myself and did nothing about it. Only to receive the same feedback from someone else.

If I’d trusted my instinct, I could have fixed the mistake earlier.

So I’m learning to take my inner voice seriously too. My inner voice is just as important.

 

This is the last tip in my series. I hope you found something useful from my navel gazing.

Your turn – what are your tips for finishing a novel?

When did you feel like a “real” writer? Part 6

Back again with another two writers answering the question…

When did you feel like a “real” writer?

Today we have two successful women with the same perspective.

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You’re a real writer when you write!

Words of wisdom!

I have one more answer up my sleeve, which I will post with a wrap-up of all the comments.

I hope you’ve enjoyed the pithy insights so far.

 

How I “Finished” – Tip #7: Being Selfish & Competitive

Being Selfish & Competitive

Now being selfish and competitive is generally seen to be a bad thing, but these two negative traits helped me go from a lump of words to a “finished” manuscript.

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Books don’t write themselves. I work full time but I find time to write because I’m selfish. Writing is really important to me, so it takes priority over other stuff. I’ve learned to be comfortable saying “no”.

I’m also competitive. Now I’m associating with an online community of writers and every day, my fellow writers are launching books, getting agents, getting publishing deals and 5 star reviews. I’m happy for them, (I believe in abundance not scarcity) but I want what she’s having.

What have you given up for writing?

Tomorrow – Tip#8 Listening to my gut.

When did you feel like a “real” writer? Part 5

After feedback from Melanie Bernard, I’ve taken a slightly different angle today and asked my question to indie-published writers too.

The question again…

When did you feel like a “real” writer?

Today,

  • Joanna Penn – non-fiction and thriller writer. And one of the best writing podcasts around.
  • Mark Dawson – super successful indie published crime-thriller writer.

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The number 5 again? Does something magical happen at Book 5?

I would start feeling like a “real” writer too, if I had Mark’s success.

Tomorrow, another two authors answer my question.

How I “finished” – Tip#6 Loading up my Toolbox

Load up my tool box

A professional needs their tools. The two tools which really helped me  to compile and edit my unwieldy lump of words were Scrivener and Speech Function/Text to Speech.

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Scrivener is software designed for writers to easily format long documents. It has lots of nifty features.  My favourite is the left hand navigation where you can save chapters or scenes in folders and easily swap things around. I also love the target word count feature, with a satisfying little “ping” to congratulate me on reaching my daily word count. I’m probably only using a fifth of the features, but now it’s an essential part of my writing.

Speech Function/Text to Speech reads my words aloud to me. This is invaluable in the editing process. Read aloud, it’s easier to locate missing words, typos and clumsy phrases invisible to the eye. There is also a choice of voices, so I swap between an older British woman to a younger American man depending on my mood.

What are your essential writing tools?

Tomorrow – Tip #7 Being Selfish and Competitive

When did you feel like a “real” writer? Part Four

Another couple of writers answer my question…

When did you feel like a “real” writer?

Today

  • Kim Newman – author of the bloody amazing Anno Dracula (go get it now if you haven’t read it) and film critic.
  • Neil Gaiman – .writer of everything.

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neil gaiman

Was it 1982 or 2009 for you?

Tomorrow, another two writers answer my question.

How I “finished” – Tip #5 Craft Work

Craft work

Not the German electro band, in order to improve my craft, I sought wisdom from writing gurus. Tips and advice on how to be a better writer, storyteller and editor.

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Over the past two years, my three main reference points have been

Story and Stein on Writing are available as audio books and the Story Grid is now a podcast.

I’ve listened to the audio over and over again, revisiting different sections as I need for wherever I’m up to in my writing. I heartily recommend all three.

What are your writing references?

Tomorrow – Tip#6 Loading my Tool Box

 

When did you feel like a “real” writer? Part Three

Two more great writers answer my question…

When did you feel like a “real” writer?

Today

  • Victoria (VE) Schwab – writer of multiple fabulous YA/MG series and my fave, A Darker Shade of Magic
  • John Scalzi – Hugo Award winner and prolific twitterer

 

VE Schwab

 

john scalzi

Two different perspectives here. Do you need money or being published to feel like a “real” writer?

Tomorrow, another two authors answer my question.

 

How I “finished” – Tip #4 Thwarting Resistance

Thwarting Resistance

Resistance is the evil force standing between me and everything I want. He’s the naughty voice in my ear telling me stay on the couch, just another episode or have another slice, you deserve it.

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Resistance is mean and wily. He changed tactics and got stronger the closer I got to finishing. He told me I was wasting my time and I’m no good. He filled my head with fears I was going to stuff up my manuscript and I don’t have the talent to finish this.

Once I became conscious of Resistance and his mean tricks (thanks to War of Art), I am vigilant. I know what he’s up to.

I have my defences ready.

I just ignore him and keep going.

How do you thwart Resistance?

Tomorrow – tip #5 Craft Work

 

When did you feel like a “real” writer? Part Two

Another couple of brilliant writers answering my question…

When did you feel like a “real” writer?

This time I annoyed Joanne Harris and Ben Aaronovitch. A little bit of self-deprecating self-doubt and Daleks.

  • Joanne Harris of Chocolat fame (and heaps more) and a great twitterer.

joanne harris

  • Ben Aaronovitch, writer of seminal 80s Dr Who stories and creator of the fab Rivers of London series.

Ben Aaronovitch

Did Ben mention Daleks?

Tomorrow, another two writers answer my question.

How I “finished” – tip#3 Marinate for 4 weeks

Marinate for 4 weeks

When I’m in full on editing mode, I go cross-eyed. I can’t see “the wood for the trees.”

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Putting aside my writing to “marinate” is important. Like marinating meat, putting your writing aside makes the flavours richer.

I’ve got a bad memory and when I put something away in the drawer, I completely forget the details. After a period of a month or so, I regain some objectivity about my work. I can see flaws and where to focus next.

And on occasion, I’ve been pleasantly surprised by my own work. Hoorah!

Do you have a rule for resting your work?

Tomorrow – Tip#4 Thwarting Resistance.

 

When did you feel like a “real” writer? Part One.

A few blog posts ago, I decided that I wanted to ask authors when they felt like a “real” writer. It appears that doubt is a continuing trait for writers and I wanted to hear from the sources.

Since then, I’ve been bothering my favourite writers on the internet asking this question.

When did you feel like a “real” writer?

Today I’m sharing responses from Gail Carriger and Val McDermid.

  • Gail Carriger – steampunk doyenne and author of the Parasol Protectorate series.

gail carriger - real author

  • Val McDermid – Crime fiction legend and creator of Wire in the Blood

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Scary but interesting to hear how successful writers still feel like “imposters”.

I have responses from another six brilliant writers, so stay tuned for their responses.

 

How I “finished” – tip #2: Finding my tribe

Finding my tribe

Writing takes up loads of time and not everyone understands the highs and the lows. Sometimes I need someone to whinge to!

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While my off-line support team are brilliant, finding a tribe of writers online has been really helpful.

The Monthly Writing Challenge twitter group has especially helped with accountability, habit-forming and general encouragement.

They understand when I’m having a writing day where the words are like pulling a pineapple from an orifice.

Have you found a tribe?

Tomorrow – Tip #3 Marinate for 4 weeks.

 

How I “finished” – Tip #1 Discipline

Discipline is not a dirty word

Discipline and routine isn’t sexy but it’s necessary. Books don’t write themselves. Unfortunately. But creating a daily writing habit really helped to finish my project.

With the help of the Monthly Writing Challenge, I developed a routine of writing or editing every day. Every single day. The Monthly Writing Challenge has a target of 500 words per day or 1 hour editing. (More about the Challenge in Tip#2). There’s an online spreadsheet to record your work efforts and a little bit of public accountability helps.

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Now, daily writing and editing has become a habit.

For example, I wrote this blog post while at the hairdresser in order to get my 500 words down for the day. I’ve written in parks at lunchtime, at airports, dictated while walking and other weirdo behaviours to get my words in.

Generally, I’m a boringly structured person anyway (I’m an Upholder according to Gretchen Rubin’s framework) but having regular accountability has made the habit stick. Then the word counts and drafts follow.

What helps you stay on track?

Tomorrow – Tip#2 Finding my Tribe

 

How I “finished” my novel – 8 tips in 8 days

My manuscript “Return to the Monolith” is now in line editing. Hoorah! Eek. This means I’m done.

Disclaimer – I am “finished” for now. I don’t have an agent or publisher and I’d be naive to think there’ll be no more changes until the book appears in print.

Being “finished” is a peculiar feeling. I sat for ten minutes with my finger hovering over the send button, debating with myself. Am I really done? Is this it? Strange.

Anyway, it’s time to look back on two years of work and think about what I’ve learned.

This is the first in a series outlining what helped me to “finish”. I’ve come up with eight little helpers.

Over the next eight days, I’ll share eight tips.

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There’ll be a lot of you Nanowrimo-ans out there, with a big lump of words, wondering how to take your draft to the next stage. I hope this might help.

Tomorrow – Tip#1 : Discipline is not a dirty word..

Nanowrimo 2015 – tick

Print

Hoorah! Another Nanowrimo win! Little happy dance and then back to the word mines.

Nanowrimo is fun but I prefer the less pressure of the Monthly Writing Challenge (500 words per day target). It’s less stressful and creates more quality words. Meh, but that’s me.

So if you are not on board with the Monthly Writing Challenge, check it out and we’ll be keeping up the momentum into December.

Hope your Nanowrimo is going well!

My Nanowrimo Tip #5

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My Nanowrimo Tip #4

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Nanowrimo tip #3

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Nanowrimo tip#2

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Nanowrimo tip#1

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Siblinghood of the World Blogger Award – my responses

I’ve been nominated by Beverley Lee to answer the following questions as part of the Siblinghood of the World Blogger awards. I answer 10 questions, then I pose 10 more questions to 10 more bloggers. Here we go…

Your favourite author is going to call you for a once in a lifetime chance to talk. You can only ask them one question. Who is the author and what is the question? Why?

I can’t narrow it down to one writer.

The more I grow as a writer, I realise we all share the same self-doubt and struggles with wrangling our stories. So the one question I’d like to ask all writers I admire is…

When did you feel like a “real” writer?

Which fictional character would you want as a friend, and why?

Which fictional character would you want as a friend, and why?

Nightingale from the Rivers Of London series. I want my own immortal magical mentor with impeccable pre-war dress sense. I imagine him being like Bill Nighy.

List three books you’ve read more than three times.

  • Anne of Green Gables by L.M. Montgomery
  • Anno Dracula by Kim Newman
  • The Corrections by Jonathan Franzen.

How’s that for a weird combo.

Who would you say is your greatest writing influence in terms of your own style?

I think my influences are from the opposite side. I know what I dislike, so I avoid that type of writing. I have a background in the corporate world and business writing, so my style is simple. I don’t like overly flowery writing because I’m a lazy reader. The style is important to my reading pleasure. Some styles (and writers) do my head in and so I quickly switch to something cleaner.

What are you working on at the minute?

Starting today, I’m writing the next novella in my Evangeline steampunk series. This novella is about seances and spiritualists.

Which actor/actress would you like to see playing the lead character from your most recent book?

She is in serious trouble of being typecast, but from the recent Dr Who episodes playing Ashildr/Me, I can absolutely see Maisie Williams as my character Alga from the Monolith series.

How important is a book cover to you? Would it influence you over the back blurb?

A good cover is so bloody important. There are some serious ugly covers out there, especially in the self-publishing world, but I’ll admit, often I don’t read the back blurb. There have been many times when I’ve been wowed by an early plot twist, then later on read the back blurb.

Before I buy or borrow (library love), I have to read a page at random. There are certain flowery styles of writing which I can’t handle (see above answer).

If you could live in one fictional world, where would you live?

China Mieville’s Bas-Lag world from Perdido Street Station. What’s not to like …aliens, steampunk and magic. Mieville’s world building is crazy detailed and luscious. I feel I could step right into the pages and live there.

Do you let other people borrow your books?

Absolutely. Words and books are to be shared. Share the love.

Books have some of the most wonderful quotes among them. Which is one of your favourite quotes, and why does it resonate with you?

Let’s go back to my favourite kooky melodramatic Canadian redhead.

It’s been my experience that you can nearly always enjoy things if you make up your mind firmly that you will.

Thank you Anne Shirley and L.M. Montgomery.

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My Ten Questions

  1. When did you feel like a “real” writer?
  2. How do you overcome resistance?
  3. What advice would you give yourself as a wannabe writer?
  4. Do you prefer writing or editing?
  5. What part of the writing process do you struggle with the most?
  6. Do you Nanowrimo?
  7. What authors do you follow on social media?
  8. What’s more important to you; a good plot or beautiful writing?
  9. Do you take yourself on artist’s dates? What do you do?
  10. When friends and family ask “can I read your book?” What do you say?

My 10 nominated bloggers

Nanowrimo – I’m in again

I’m not quite sure how many nanowrimos I’ve done. I first heard of the fun crazy challenge in 2002 or 2003 from a friend in London. I’ve done at least four, I can remember.

My profile is from my days as a closet writer and apparently you can’t change your profile name. So find me under madolescent.

Nanowrimo taught me how to vomit draft.

Now I don’t get writer’s block, I keep on writing and writing. Filling the page with words even though it’s rubbish and sometimes it feels like I’m only typing.

But this way, the words get down and somehow in amongst the rabid typing, the magic happens.

Are you in?

Confessions of a writer tag

I’ve been tagged by Aura Eadon to answer the following questions arising from Nicolette Elzie‘s blog.

When did you first start writing? Was being a writer something you always aspired to be?

Aside from the grey period when law school sucked out all the joy, I’ve always loved books and reading. But I never thought I could be a writer. I wasn’t creative or deep enough. Yet the need to create stories niggled at me for years. I’ve done Nanowrimo, attended a few short courses and produced five or six half-finished novels but never had the confidence to take myself seriously. Then during some maudlin navel gazing, I realised writing a novel was my life’s ambition. So I decided to get serious and come out as a writer.

What genre do you write?

I like to make stuff up so speculative fiction is my genre. A bit sci-fi but no spaceships. A bit fantasy but no ‘chosen ones’. I’ve tried writing in other genres (urban fantasy, crime etc) but the stories did not feel right. It did not feel like me. Speculative fiction is a comfy place to be.

Can you tell us a little about your current work in progress? When did you start working on this project?

I’ve got a full production line going with four or five pieces in various stages of drafting, editing and resting. My Monolith trilogy has been my main focus for the past eighteen months but I’m taking a break and currently working on a set of steampunk YA novellas set in 1880s Melbourne. My heroine is a 17 year old ex-pickpocket and acrobat now living in the Colonies with her long-lost father.

What was your first piece that you can remember writing? What was it about?

There was the cringe inducing poetry published in the school magazine, featuring thinly veiled phallic imagery. Good times.

What’s the best part about writing?

Reaching the magical flow state, when the story takes over and ideas appear out of nowhere. I am just the implement recording the words on the page. It’s pretty damn cool.

What’s the worst part about writing?

When everything I write is a steaming pile of poo and the vicious voices whisper in my ear, telling I have no talent and I’m wasting my time.

What’s the name of your favourite character and why?

Anne of Green Gables. Manic, kooky and fragile, she leaps from the page. She’s the inspiration for my steampunk heroine, Evangeline. Although in real life, Anne would get on my nerves. Such a drama queen.

How much time a day/week do you get to write? When is the best time for you to write (morning or night)?

I’m one of those annoying A-type personalities. Since I decided to get serious, I write or edit every day. But writing is my happy place. In an ideal world, I’d spend every morning writing. But in real life, I write whenever and where ever I get a chance.

Did you go to college for writing?

Nope. I’m ambivalent about writing degrees. For me, writing is about discipline and practice. Can those skills be taught in a class at university? I’ve done short courses in the past. Now I read writing reference books and try to read critically.

What bothers you more: spelling errors, punctuation errors or grammar errors?

Spelling errors. They stand out like a big angry zit.

What is the best writing advice that anyone has given you?

“The most important thing about art is to work. Nothing else matters except sitting down every day and trying.” – Steven Pressfield

What advice would you give to another writer?
  1. First drafts are always shit – go Hemingway!
  2. Stop talking about writing and write
  3. The real work starts after you’ve finished the first draft
What are your favourite writing sites or blogs that you turn to for help, tips or encouragement?

The Creative Penn, Story Grid, Steven Pressfield, Chuck Wendig. Encouragement comes from the brilliant Monthly Writing Challenge crew on Twitter.

Besides writing, what else do you enjoy doing? What are your hobbies?

I spend a lot of time in my head and sitting on my bum, so I try to balance this out with walking, running and weight training. I love to lose myself in books and films.

What’s the best book you’ve read this year?

Three way tie between Perdido Street Station – China Mieville, Parable of the Sower – Octavia E Butler and Sunne in Splendour – Sharon Penman. Speculative fiction in three different ways.

What is the best movie you’ve seen this year?

Cheap Thrills – a twisted movie about what people will do for money.

What is your favourite book or series of all time?

Of all time? Too hard. Currently I’m into Ben Aaronovitch’s Rivers of London series. Recently completed Book 5 – Foxglove Summer and anxiously awaiting #6.

Who is your favourite author?

Depends on the direction of the wind and what I’ve had for breakfast. I’ve mentioned a few authors above. Other honourable mentions include Val McDermid, CJ Sansom and Michael Robotham.

What are your plans for the rest of the year in terms of your writing?

Hopefully to start querying my Monolith trilogy by the end of the year. Exciting times. Wish me luck!

Where else can we find you online?

Twitter

Goodreads

Consider yourselves tagged.

Sara General

Mollie Smith

Annelisa Christensen

Mattias Ahlvin

What you are your thoughts on the questions above?

Self-doubters of the world unite

I’m in the first weeks of a new novel. Actually it’s Book 3 of my Monolith series.

I don’t believe anyone ever suspects how completely unsure I am of my work and myself and what tortures of self-doubting the doubt of others has always given me – Tennessee Williams

While many of the characters are familiar old friends and the world is a place I know well,  I’ve transitioned from ‘close to final’ edits (fingers crossed) of Book 1 to a brand new blank page.

My brain is comparing my poorly structured Book 3 vomit draft with my almost complete Book 1.

Next to Book 1 with its 18 months of hard graft and polish, Book 3 feels like a steamy pile of poo. I am the super hack.

I do have high standards. I look at everything I have done and think, ‘Why wasn’t that better?’ Part of my motivation is from crippling self-doubt – I have got to prove myself wrong – Michael Palin

But misery loves company.

Rather than cheer myself up with positive quotes and affirmations, I’ve collated a bunch of other doubters. Doubters who are much more successful than me.

What still concerns me the most is: am I on the right track, am I making progress, am I making mistakes in art? – Paul Gauguin

Self-doubt is part of the process.

No fine work can be done without concentration and self-sacrifice and toil and doubt. – Max Beerbohm

So I’ll acknowledge it and…

Have you got a favourite doubter quote?

Top 5 Influential Children’s Books – The Little White Horse by Elizabeth Goudge

It’s time for part four of my “revisiting childhood favourites” series with The Little White Horse by Elizabeth Goudge.

Maria Merryweather is an orphan (of course) and sent to live with her long lost uncle in the West Country at Moonacre Manor. She takes the long journey by carriage through the night with her bilious governess and Wiggins, her grumpy spoiled spaniel. Her new home is mysterious, mythic and magical. Her uncle tells tales of the tragic love story of the Moon Princess and Sir Wrolf, the first Merryweather, and of course the rarely seen little white horse.

Firstly it must be said, this book should be mandatory reading for anyone interested in glorious world-building. The descriptions of Moonacre Manor and its characters are vibrant and rich. From cosy cave houses and circular bedrooms in towers to a curmedgeonly dwarf with a rich vocabulary baking fairy cakes and lavish descriptions of hearty country meals (very reminiscent of Enid Blyton) to a cat that can write and the grumpy spoiled Wiggins, the spaniel.

But the story itself is a little strange. The haughty Maria bullies her family (both immediate and estranged) into complying with her wishes. All the while maintaining a relationship with a shepherd boy which no one questions. And this is supposedly 1842. There is much talk of “wicked men” and yet she converts them to goodness with harsh words and pearls. Reality aside, she is a firebrand who gets what she wants. A feisty female protagonist.

But the pleasure in this book is the imaginative world-building. If you are interested in descriptions or characterisation, I urge you read this book. Especially the first few chapters as Maria explores her new home.

Recent reads – Parable of the Sower by Octavia E Butler

One of the curious things about my writing life is I write sci-fi but I don’t often read it. I’ve recently made an effort to read some “masterworks” to fill my gaps.

Don’t you hate it when you find a brilliant “new” writer, only to find out they are already dead? I’m definitely late to the Octavia Butler party, the trail blazing African American female sci-fi writer. Before reading a word of her work, only her bio, I was filled with deep respect for Butler.

First I read Bloodchild (mainly because it was free and I am cheap). I thoroughly enjoyed the story of the alien host and her human servants. Although reading the end notes, I jumped to the conclusion (like many others) that it was a story about slavery. Apparently not!

Then while on a recent trip to the US, I came across Parable of the Sower in a bookshop. The luxury of holidays gave me time to devour it quickly. If I’d been at home (and not required to be social), I would’ve curled up in a corner until I finished it.

In Parable of the Sower, Lauren is 17 and lives in a neighbourhood compound in post-apocalyptic Los Angeles. Her father is the local preacher and community leader where the neighbours band together to keep themselves safe from the dangers outside the walls. The outside world is dangerous, filled with drug addicts who revel in fire.

Lauren listens to her father’s sermons but she has her own ideas about what God is. Over time her thoughts formulate in her mind, she is creating her own religion. It is called Earthseed.

One night, the compound and Lauren’s world is breached. She leaves and must fend for herself on the highways of California, looking for safety and a new life. All the while, building on her ideas for a new faith.

But the Parable of the Sower is much more than a dystopian road story.

As an aspirant writer, this is one of those books that made me want to put my pen down and give it all away. The prose so crisp and precise. The concepts so big and mind-chewing. This is what I want to be when I grow up.

As I said in my review of AYTGIMM, I’m ignorant about religion. The Parable of the Sower passage from the Bible has no meaning to me. I brought no preconceived ideas when I started reading.

With the chaos around her, Lauren sees God as objective. God is change and cares only about survival. There is no moral overlay about right or wrong. It just is. This reminds of the concepts in Nassim Nicholas Taleb’s Antifragile. Another book which wowed me.

I was struck by a single line. “Some people see nature as God.” Pow. There’s my worldview in a nutshell in a way I’d never considered it before. The way some people see God is the way I see nature/the universe. Awe inspiring and all powerful. But like Lauren, I never placed the moral overlay on nature. She doesn’t care about you and me as individuals. She only wants to continue on.

This book has stayed with me for months now. What more can you ask for in a book? Entertainment plus a soul searching challenge on your view of the universe.

Top 5 Influential Children’s Books – Are You There God? It’s Me, Margaret

Blog posts have been a little tardy. I’ve been distracted by the main game, my fiction. But let’s return to my favourite childhood books.

The next book in my series revisiting childhood classics is from Judy Blume. A classic children’s writer, I remember her books fondly. But funny how your memory plays tricks on you.

Time and memory are true artists; they remould reality nearer to the heart’s desire – John Dewey (1859-1952)

As an 80s child, my reading life was chock full of Judy Blume. I owned a copy of Starring Sally J Friedman As Herself.  (This could explain why a kid in Tasmania in the late 1980s was reading biographies of old film stars like Lana Turner. Although as a voracious reader, I did work my way through most of the books in my small local library.)

Blubber. Super Fudge. Forever was the taboo book when I was in Grade 6, to be hidden from the parents under the mattress because it had s.e.x in it.

Then of course Are You There God? It’s Me, Margaret (AYTGIMM). The quintessential book on growing up. So today, I’m revisiting my old friend, Margaret.

Margaret has just moved to Jersey from NYC and she’s eleven. The child of a Jewish father and a Christian mother,  she has grown up without religion, yet she talks to God every night. Margaret has a new school, new friends and new womanly body to manage.

Before I started to read this book, my memories of AYTGIMM were all about bras and periods. I expected it to be full of female body stuff. A fiction version of Everygirl. But on re-reading, I was surprised to discover that puberty is only one part of the story. The more important storyline is Margaret’s spiritual search. Is she Jewish or is she Christian? Who is this God she speaks to?

Looking at the title of this book, the religious element is completely obvious.  Like Margaret, I grew up without religion, but I never went through a religious curiosity phase like she does. Margaret chooses to explore religion as the topic of her year long school project. As a child, this part of the story must not have resonated with me. Perhaps the difference is the overt religious tension in Margaret’s family. Or I blocked it out and focused on the juicy stuff.

AYTGIMM was probably the first time I read about someone like me, dealing with their newly adult bits, bras and periods, secret clubs and talking on the phone for hours about (very important) nothing. The “Two Minutes in a Closet” brought back cringe worthy memories of my own Grade 6 parties. Did we get the idea from this book? Although we used an ensuite bathroom. It brought back memories of my own experiences of being eleven.

The stand-out characters were Sylvia, Margaret’s grandmother and Laura Danker. Interfering and vibrant, Sylvia sounds like a super fun grandma but incredibly infuriating for Margaret’s mother. Laura Danker is a tragic innocent character. An early developer, the world makes assumptions about her morals just because she has boobs.

I didn’t enjoy AYTGIMM as much as I thought I would. The puberty stuff is of no interest anymore and neither is the religious angle. But I hope this book still resonates with eleven year old girls wondering what’s going on with their bodies and making sense of religious tension in their family. Just not for me.

Next book in line is The Little White Horse by Elizabeth Goudge. Apparently I’m in good company as this is also a favourite of JK Rowling.

www.onehundredonebooks.wordpress.com

Why I write – a response

This post is inspired by Chuck Wendig’s Terrible Mind blog. He put out a flash fiction challenge to write about “why I write?”

Here’s my story of “Why I write”.

I was a kid into books. I love stories. I love to be lost in books and transported by words. But I used to think storytellers were other people. Not me. They were artists. Artistic, high lit, tortured poetic wordsmiths. When I dashed down some words on a page, they were plain old crap.

It took years to learn lesson#1.

The first draft of anything is shit – Ernest Hemingway

So I hid the shit in a drawer and went back to watching TV.

But the desire still ate away at me. Whenever I thought about my life goals – writing a book was always number one with a bullet. So I’d enrol in some writing courses. I’d dabble but never had the confidence to take myself seriously.

I’d get discouraged and distracted.

Then I found Nanowrimo. Nanowrimo helped me churn out three or four unfinished lumpy novels. I proved to myself I could sit down and write 50,000 words in a month but they didn’t work. They didn’t resonate with me. My urban fantasy felt too cheesy. When I tried to write crime, my skin crawled when I tried to get inside the heads of serial killers or murderers. I was an imposter, none of it felt truly like me.

So I put it away again and went back to post-grad study.

Try not. Do, or do not. There is no try – Yoda

I started to get all angsty, mid life crisis riddled. My life circumstances changed and I had a bit of time on my hands. I imagined dying tomorrow with this one ambition left unfulfilled. It would be my one regret.

So I sat down and did it.

This time, it’s war – Aliens (1987)

Now I realise I need it. Practising every day, I’m learning the craft and improving. I read and learn from others. I’m prepared. I know it’s a bumpy ride of “I suck. I rock.” I know that the vomit draft is the easy part, the hard part is the six months of Revise. Delete. Rewrite. Repeat. I know the odds are stacked against me, there are millions of books published every day competing for readers. I know all this and I do it anyway. Cos I love it and it makes me happy.

That’s why I write.

Michael Whelan’s Yours Truly

Top 5 Influential Childhood books – Anne of Green Gables

The next book in my series of revisiting childhood favourites is Anne of Green Gables by L.M. Montgomery.

Ah the memories…when I opened the first few pages of Anne of Green Gables, I was transported back to Grade 5 and my small primary school library in Launceston, Tasmania where I first borrowed this book. All the iconic phrases made me smile; the puffed sleeves, the alabaster brow, kindred spirits, bosom friends. I can see why people travel to Prince Edward Island today to see where Anne lived.

If you haven’t read or seen Anne of Green Gables, basically it’s the story of an eleven year old orphan* who is mistakenly sent to live with a gruff brother and sister in Avonlea on Prince Edward Island. The brother and sister really wanted a boy to help with the farm work but instead Anne arrives, filled with wild imaginative romantic notions and who cannot stop talking.

Reading Anne of Green Gables again was an absolute joy. I had forgotten what a wonderful character she is, so quirky and irrepressible. Despite her terrible childhood prior to moving to Avonlea, Anne is optimistic. An uneducated orphan, she built a fertile imagination to cope. But Anne is not all sunshine and lollipops, she’s feisty and stubborn. She stands up for herself and others if she feels she is being mistreated. There is no doubting why this is an absolute classic, Anne is such an endearing character who leaps off the page.

The novel travels through Anne’s life from aged eleven to over sixteen. Anne doesn’t just flounce about the countryside for 300 pages. We see Anne mature, and to some extent, conform. Towards the end of the book, where Anne buckles down to study hard for her examinations, I missed the quirky, nutty, overly emotive Anne. She makes tough decisions in the end, particularly hard decisions for a sixteen year old. Compared to the Blyton boarding school books where the characters are of similar ages, Anne grows up and makes adult decisions, unlike the protected girls from St.Clare’s.

Side note – Were 17 year olds really teaching school in Canada in the early 20th century?

Like Blyton, there are very few men in Anne of Green Gables too. Only the man-of-few-words Matthew and her number one rival, Gilbert Blythe. Anne is surrounded by strong, opinionated and capable women.

From a structural perspective, I wondered whether this book was originally a serial. The structure is very episodic, with 10 page self-contained chapters, perfect for a quick 15-20 minute read before bed or perhaps designed for reading to children. The structure reminded me of a TV series with the “story of the week” with its beginning, middle and end, plus a thin thread of overarching story. I’m now inspired to try this structure myself… one day. I’ve already got 5 novels in the works at the moment, in various stages from Draft#7 at 100k words to a paragraph of jotted thoughts. Maybe in 2018?

All in all, Anne of Green Gables stands up as a wonderful read and truly worthy of its classic status.

What’s next? Get ready for the real side of blossoming womanhood. It’s time for bras and periods with Are You There God, It’s Me Margaret.

Do you have fond memories of Anne with an e?


*What’s with orphans in childhood literature? I’m sure there’s a million PhD theses on this topic.

Bird calls, barrels and Navy SEALs – random research

I’m terrible at book monogamy. I got distracted from my reading of Anne of Green Gables (the new shiny thing is Kim Newman’s The Quorum) for my blog series revisiting my favourite children’s book, so no review today. Although I am enjoying spending time with that feisty nutty Anne Shirley again.

Today’s blog post is about research. Or three random research topics for my current manuscript. I needed to describe the call of a hawk, find out what was inside an elite soldier’s survival pack and the different parts of a barrel. My writing is educational too!

  • Bird calls

This site has written descriptions of bird calls, as well as audio clips to listen for yourself. Perfect for describing the screech of a hawk overhead, which is kee-eeeee-arr, if you were wondering. Those twitchers are cool people.

  • Navy SEAL Survival Packs

My current manuscript includes a secret military operation to bring back a fugitive. So I needed to know what is in a standard issue survival kit for a Navy SEAL. This article in Time shows the current contents as well as the contents in the packs from 1960s.

https://timemilitary.files.wordpress.com

  • Parts of a barrel

Did you know that the wooden planks forming the main body of a barrel were called “staves”? I do now.

https://salutwineco.files.wordpress.com

What random internet research have you done this week?

Top 5 Influential Children’s Books – Enid Blyton

Here’s the first instalment of a new blog series where I revisit my favourite children’s books, beginning with Enid Blyton’s The O’Sullivan Twins.

I loved Enid Blyton …

Good old Aunty Enid is the grand dame of influences. A little passe and politically incorrect these days but Blyton was the influence for me. From Noddy to The Enchanted Wood to the Famous Five to the Naughtiest Girl/St.Clares/Mallory Towers series, Blyton was my author.

I owned a large illustrated copy of The Enchanted Wood and dressed up as Silkie for Book Week (another reference to Book Week dress-ups in a future blog post). The Famous Five probably whet my appetite for mysteries and I also remember the 70s telly series fondly. Sing along with me now… “George and Timmy the dog..”

I loved most of Enid’s book but her boarding school books were my absolute favourite. Maybe I need some therapy to understand why. I loved the idea of midnight feasts, “short sheeting”, French prep, being “sent to Coventry” and lacrosse. I longed to go to boarding school and devoured all of these books.

Then I re-read the O’Sullivan twins…

I don’t spend much time in the children’s section of bookshops, so I was shocked at the number of Enid Blyton books still on the shelves. I thought in these days of Harry Potter, YA and MG galore, Aunty Enid would be less popular. Wrong.

From the first few lines of The O’Sullivan Twins, I was transported back. The words and the character were so familiar. How many times had I read this before? I giggled along at the quintessentially British language and the tropes. It was all there; midnight feasts, “bricks” and “old girls”, lacrosse matches, French prep, descriptions of cake and “being sent to Coventry”. The now sensible O’Sullivan Twins return to St.Clare’s for their second term, this time accompanied by their “feather-headed bleating” cousin Alison.

But as I progressed through the book, I was transported back to the feelings of a tweenie. I was shocked by the way the girls treat each other, there’s an awful lot of bullying in this book. Girls ganging up on each other, gossiping and isolating individuals for their “mean and spiteful” behaviour. And this is exactly what I remember about being a tweenie.

This is a moral tale for playing by the rules and conforming. Margery is the sullen outsider who redeems herself and teaches the twins a lesson about assumptions. I was surprised how old the girls were (fourteen to sixteen). The girls at St.Clare’s lead a terribly sheltered life, yet there is tragedy and teen angst, father-daughter relationships, family accidents and poverty. Aside from their fathers and one mention of a gardener, there are no men in the world of St.Clare’s. Is that what Blyton was trying to do? Create a series of books to teach young women the right way to behave in WW2 Britain?

With my writer hat on, I was surprised at the “head-hopping” or point of view changes within the same paragraph. I thought ‘head-hopping’ was a big no-no. But if Aunty Enid can do it…?

When I finished the last page and said goodbye to my old friends, my feelings on boarding school have changed. I couldn’t think of anything worse than going to St.Clare’s with all the bullying and conformity. But I am hankering for an afternoon tea with “Buns and jam! Fruit cake! Meringues! Chocolate eclairs!”

What are your memories of Enid Blyton?

Re-reading my top 5 fave childhood books

I was pulling together a series of blog posts on my top 5 most influential books of my childhood and an idea struck me. Why not re-read all five books and review them with adult eyes.

So I’ll be reading and blogging about….

  • The O’Sullivan Twins by Enid Blyton
  • Anne of Green Gables by LM Montgomery
  • The Little White Horse by Elizabeth Goudge
  • The Secret Diary of Adrian Mole Aged 13 3/4 by Sue Townsend
  • Starring Sally J Freedman as Herself by Judy Blume

All female writers too.

Look out for the posts in the weeks to follow….

Have you re-read your favourite childhood books as an adult?

Watching a rom-com unveil in real life

I’m callous and caustic, love stories leave me cold. I’ve never pictured a perfect wedding, knights in shining armour, being swept off my feet (surely that would hurt?) or living happily ever after.

In fact, I actively avoid rom-coms or romance novels. I hate the part in a comedy movie when the laughs stop and the lovey-dovey, vomit-inducing stuff takes over. Blurgh, give me spaceship battles or fights any day.

So, how did I find myself witnessing a scene straight from a rom-com, blossoming moment by moment in front of my eyes?

I arrived at the communal study room of my local library, looking for a little quiet editing time out of the house. The room was crammed with studious people, barely a spare seat, I took the last seat next to a guy. I didn’t look at him, but I glanced across to see what he was working on/studying. I’m nosy like that. He was doing Japanese homework.

I put in my headphones and booted up my lap top, ready to work, when an announcement came over the PA system. The library wifi was down. I opened up Scrivener and plugged on regardless, hoping the wifi would come back soon.

Five minutes later, another announcement. The wifi would be down for the rest of the afternoon. I decided to persevere, with the music-less headphones in my ears (editing Book 2 Return to the Forest). One by one, the other people left the study room.

Then the guy next to me struck up a conversation with the girl on the other side. Miffed at first for disturbing my peace, my stickybeak nature couldn’t help but eavesdrop. He was studying Japanese and she turned out to be a Japanese exchange student, freshly arrived in Melbourne. They exchanged phrases, she corrected and praised his Japanese, he helped with her English. They giggled and continued to talk.

As the room emptied, I moved to another spare table, but glanced over to check them physically. Was he a dirty old man and she a young girl? No, they were well suited, both slim, young and a little nerdy.

Over the next half hour, they moved closer and closer together, while the rest of the room emptied. Arms touching, hunched over their homework.

My editing time was up, so I packed to leave, but as I left the room, I wondered about the Japanese student and the Australian guy, imagining a happy ever after.

Perhaps I’m not as callous as I thought.

www.dreamtime.com

It’s not you, it’s me – should I feel bad for abandoning books?

I have never been one to commit to books, or movies or TV shows. I can walk away at any time, even just a few moments before the end. If it hasn’t grabbed my attention, I can move on. No qualms. Maybe I’m just a commitment phobe.

But now as I’m spending hours and hours of my time writing and editing, every time I put aside a book for something newer and shinier, I have second thoughts. A little tinge of guilt…should I feel bad when I abandon reading a book?

www.booyorkcity.com

On the guilt inducing side…

I feel for the writer, now that I have some idea of the process. The hours, weeks, months and years poured into crafting every single word. Sometimes I feel bad for skimming over sentences, thinking back to my last writing session, where I laboured for forty five minutes over a single sentence. A sentence some callous reader could just skip over!

Then I think about how the writer made it through the gauntlet of the publishing world (although a lesser consideration these days with the thriving indie market), through the anguish of finding an agent and getting selected by a publisher. If it made it through the publishing gauntlet, it must be good, right?

On the other hand

Life is short. There are so many other books I could be reading. There are so many other fish in the sea. If it isn’t doing it for me, I should move on guilt-free.

This does not mean the book is bad. It just isn’t right for me at this moment. If I’m in the mood for a mystery with a hunchback lawyer from the 15th century, then an urban fantasy with a mixed race London bobby in the magical division is not going to cut it.

Of course, reading anything after a fantastic book is hard. Rebounds are always fleeting.

Other times, I’ve abandoned a book only to pick it up again later and devour it. Sometimes I’ve just got to be in the right mood.

After this conversation with myself, I’ve decided I don’t need to feel guilty about abandoning a book. It’s not you book, it’s me.

Do you abandon books?

Killer cockroaches and ashes – Imagination Fuel Diary

Are there any songs about Thursdays? I can’t think of any.

As an exercise in documenting my imagination fuel, I spent a day noting down interesting sights, sounds and topics for future writing. Inspiration is everywhere and you never know where the next gem might crop up.

You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we’re doing it. ~ Neil Gaiman

  • A burnt out building.

As I walked to work, I caught sight inside a fire damaged building. The news stories said the fire was suspicious. I peeked inside (actually I stopped and had a proper gawk) at the smoke damaged walls, the blackened beams, the smashed skylights, the missing first floor, the piles of debris, the grey, white and black.

  • A ballet costume on a bill poster plastered to a brick wall

A vibrant green male ballet dancer jumping the air with a flowing cape from the Australian Ballet’s production of a Midsummer Night’s Dream. Here’s the image from the poster.

www.artcentremelbourne.com

  • Killer cockroaches preserved in amber found in Myanmar

A “crane giraffe” killer cockroach from 100 million years ago has been found preserved in amber. Sounds like the premise of a horror movie to me.

  • A bumper sticker “Avenge Sevenfold”

This might be some kind of brand or a bikie gang, but my imagination went to a tale of brotherhood and family rivalry.

Note: turns out my memory is faulty and this is a US metal band and their name is Avenged Sevenfold. Good name though.

What you noticed today which fuelled your imagination?

Three ways to kickstart a writing session

Sit down, open my laptop, crack my knuckles and go!

And then stare at the blank page…sometimes, it’s not that easy to get going.

Here’s a couple of other things I do before I start writing –

  • stretch my body to get the blood flowing,
  • invite the Muse to visit me and then
  • a few writing warm-ups.

Stretch

Whether a few yoga poses, some arm circles or a walk around the block, I need a bit of movement before I put fingers to keyboard.

Have you got a spare three minutes? Here’s a little three minute video of Japanese morning calisthenics (also known as raijo taiso). I do this every morning to knock out the kinks. Apparently, raijo taiso is broadcast across Japan every morning. Originally part of an insurance company campaign in the 1920s, it is still popular today. Some say, it is the secret to the spritely Japanese elders.

Ode to the Muse

Next, I invite the Muse to join me with my writing.

This is the beginning four lines of a beautiful poem Ode to the Muse written by Mary Darby Robinson from an anthology from 1791.

O, LET me seize thy pen sublime
That paints, in melting dulcet rhyme,
The glowing pow’r, the magic art,
Th’ extatic raptures of the Heart;

How could the Muse ignore such a delightful invitation?

Writing warm ups

Now to get the brain moving with a few quick writing warm ups. Something short and sharp, but a little bit hard.

  • the #6words challenges for 6 word stories on a particular topic thrown out on Twitter by Kelsye
  • Describe your main character in 5 words
  • Create a 6 word pitch for your writing

How do you kickstart your writing sessions?

Tiny apartments – the fancy and the appalling

As cities get bigger and more people move to find work, pressure on housing increases. Tiny apartments is one solution.

Like all interior design porn, small apartments get attention. The perfectly minimalistic Nordic designed tiny space with only the bare essentials.

A micro-apartment for James Bond perhaps?

www.businessinsider.com

Or a pristine serene monk cell? But where do you put the telly?

www.lituanus.org

That is all nice for a photo shoot but how do people really live when they only have 10sqm (300 sf), or less, of space.

Look at Hong Kong…

www.nvusdesigns.com

…where whole families live in similarly small space.

www.nvus.nl

www.cantonese.tierlinck.net

…or live in bunk like storage cages.

www.dailymail.co.uk

It’s not just in Hong Kong, here’s an example in London

www.guardian.co.uk

Dystopia is here already.

Tips from an author with 300 million books sold – James Patterson

James Patterson is in town this week. Whilst I’m not really a fan, you can’t argue with a guy who’s sold 300 million books. I went along to hear him speak and hoping to catch any snippets any wisdom. Hoping, perhaps some of his success would rub off on the audience. Here’s my take on his story, his process and the importance of self-promotion.

My first impression, what a down to earth guy! Witty, self-deprecating and a little bit cheeky, the talk was very entertaining, with many chuckles. Not at all what I expected…

His story

  • Started reading again for pleasure while working the night shift in a mental hospital
  • Every short story he submitted was rejected
  • His first novel – The Thomas Berryman Number was rejected 31 times before winning the Edgar Award for Best First Novel
  • At his acceptance speech for the Edgar, he said “I guess I’m a writer now.”
  • The highlight of his Hollywood career was appearing the Simpsons, as a fantasy of Marge’s.

His wisdom included…

Writing craft and his own process

  • The best writing is crisp and short, including short chapters. He repeatedly used the word “crisp”.
  • His strength – to turn anything into a story
  • His weakness – patience to truly hone his work, rather than moving on to the next project
  • On co-writing, he sees it as a team effort. Screenwriters/TV writers work in teams. He also uses researchers.
  • On characters, the reader does not need to know everything about a character, only what makes them interesting.

Why people like thrillers (especially his own)

  • Solving puzzles
  • Involvement with both the hero and the villain
  • Satisfactory endings – so lacking in everyday life or true crime

Key takeaway – Self promotion

I was really interested in how he developed his own ad for “Along Came a Spider”. Working in advertising at the time, he pitched an ad to his publishers. They rejected the idea, but he went ahead and did it himself out of his own pocket. This advertisement helped push the book into the best seller lists. A great example of taking control of your own marketing and brand.

He told a great follow-up story, where he watched a woman pick up his book in a shop and was filled with delight, only to see her slip the book in her handbag without paying. Does shoplifting count as a sale?

He also spoke on the need to support independent bookshops (worried about the Amazon monopoly) and building a passion for reading in children. Here here!

An enjoyable evening with a few nuggets of wisdom for this budding writer.

www.jamespatterson.com

Lakes of liquid mercury and Bears take back Chernobyl

OK, it’s a massive cliche but the world is an amazing place and truth is stranger than fiction. Here are a couple of news items which caught my eye and fuelled my imagination.

Lakes of liquid mercury

Archeologists excavating a Mexican pyramid site found a chamber filled with liquid mercury sealed for over 1,800 years. This lake of liquid mercury suggests the existence of the tomb of a very important individual. Liquid mercury has no apparent purpose for the ancient Mesoamericans. The archeologists theorising that the liquid mercury represents an Underworld River like the River Styx or a dark mirror to look into the supernatural world.  Reminiscent of a scene from a Mummy movie.

Bears take back Chernobyl

It’s almost thirty years since the Chernobyl disaster and nature is taking back the Chernobyl Exclusion Zone. Scientists on the Ukrainian side, have positioned over 80 cameras to document the animals now living in the radioactive zone, including endangered horses, grey wolves, lynx and even brown bears. The way nature bounces back and takes over in such a short period always fascinates me.

What fuelled your imagination this week?

www.vecteezy.com

Recent reads – The Profession by Steven Pressfield

Since listening to Shawn Coyne on The Creative Penn podcast, I’ve been obsessed with the Story Grid – advice for editing novels.

The Story Grid (book soon to be released) is a story design system and a step-by-step process for analysing and improving your writing. It teaches you to be your own editor. Definitely one for process-minded, plotter, spreadsheet nerds like me.

Shawn Coyne works closely with Steven Pressfield (of War of Art, which I blogged about in my recent post on Kicking Resistance in the nuts) and one of my recent completed reads was Steven Pressfield’s The Profession. While reading, I had one eye firmly on the Story Grid system, looking for the tips and structure outlined by Coyne. Luckily, The Profession is also a cracking read.

The Profession is set in the near future, following the story of Gent, a soldier for hire. The Middle East is a mess of corporations, tribal war lords and nation-states, all vying for supremacy and protecting their interests by hiring mercenaries. Gent, after years of warfare and campaigns, knows no other life.

I am a warrior. What I narrate in these pages is between me and other warriors. I will say things only they will credit and only they understand.

Gent works for a disgraced US General, Salter. His devotion to Salter is absolute. He loves this man and unquestioning, follows this man into anything.

Now, on the face of it, this is a book for blokes. It’s a geo-political thriller with gun fights and machinations, warriors and mercenaries and there’s a lot of gear porn in it. Loads of description about guns and bombs and helicopters. Information I skipped over.

Yet underneath the testosterone, there is something epic about this story, something mythic. I’m no historical scholar and Pressfield’s other works include Roman historical novels,  but there was something familiar about the tale of Gent and his loyalty to Salter. It resonated. Is it based on a myth or is it completely original? I’m not sure and I don’t care. Richer than your average thriller, I was moved by Gent’s anguish as he faces the tests of his love and devotion to Salter and choosing right from wrong. It felt bigger than just blowing stuff up.

Back to the Story Grid, I flicked backwards and forwards between reading this for pleasure and looking for the elements of the Grid in it. One of the key elements of the Story Grid is internal and external value at stake. Although I was looking for the structure through out the book, this was a great example of the battle between the main character’s internal and external values. How the character changes through the story and how inner conflict and external conflict play out.

I recommend The Profession for an intelligent, fast paced read (and for writers, I recommend the Story Grid.)

Inspiration – indigenous people and the power of storytelling

My novel in progress, Return to the Monolith, has a plot line about indigenous people being forced off their tribal lands and ostracised. It also raises how colonials have ignored and discredited the wisdom of indigenous people. Their wisdom and knowledge of the land honed through thousands of years of living in the landscape

This week I saw this news story from ABC about scientists verifying the myths of the Aboriginal people explaining how palm trees got to Central Australia. This story has been handed down through generations for possibly 30,000 years. The power of storytelling?

The researcher mentions how science can learn from the knowledge of indigenous people. The researcher goes further to suggest that more Aboriginal myths, including those about mega fauna (and how I love my mega fauna!) should be analysed further for factual information.

Let’s hope there is more of this collaboration between indigenous people and scientists to share their knowledge. Science does not always know best.

Kicking Resistance in the nuts

Usually I’m annoyingly motivated. Since deciding to take this writing thing seriously, I turn up every day in front of my computer and write/edit for as much time as I have available. Sometimes thirty minutes at lunchtime, sometimes a whole day.

But this week, the Resistance monster has sniffing around, getting in the way. Despite some great feedback recently, the Resistance monster’s been telling me I’m rubbish, telling me I’m wasting my time with this writing malarkey and generally making me not want to write.  As Steven Pressfield says

“Resistance is always lying and always full of shit”.

Steven Pressfield talks a load about Resistance in his classic book “War of Art”, about how Resistance is everywhere. Pressfield believes Resistance is the main cause of unhappiness in the world as it stops everyone from achieving their true heart’s desires. In a recent blog post, he outlined how Resistance can even possess your loved ones, dissuading and sabotaging you from your truth path. The cure is “doing the work”. Sitting down every day and putting your fingers on the keys and just bloody writing.

I’ve felt the Resistance but done it anyway, yet I was still lacking in mojo. I felt I was only going through the motions of editing, the joy was not there.  Until yesterday.

What helped? Exercise. I smashed out a hard kettlebells session then took a long walk with no music or podcast distractions. My mind free to wander, ideas started to flow and the motivation started to creep back in. I got excited about my project again and couldn’t wait to get back to my keyboard and push through my edits.

Phew, I fought him off and kicked Resistance in the nuts.

This time.

But like any evil villain, he’ll be back….

www.american-buddha.com

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