Month: December 2018

#52 – Kirsten Imani Kasai – Write Through The Roof

Welcome to Write Through The Roof, the podcast for writers who want to improve their craft.

Episode 52 with Kirsten Imani Kasai – writer, academic & editor

“I like grit and blood and meat in my work.”

Episode 52 – Kirsten Imani Kasai – Show Notes
  • Pantser at heart using an outline as a roadmap but allowing serendipity
  • Novels allow layering
  • Tea – Yorkshire Gold with vanilla cream or port and red wine
  • Writing described as dark and weird
  • Exploring love, romance, illness, death, spirituality and metaphysics
  • A different slant on romance – short story ‘Bleat’
  • Influence of growing up in a religious family – biblical imagery and spiritual cannibalism
  • Accepting valid criticism – lyrical writing and ‘purple prose’ – limiting adjectives
  • Allowing time to get a critical eye on own work
  • Challenges with current work ‘Girlstown’ mixing visual elements, fiction and non-fiction
  • Cindy Crabb ‘Things That Help’ 90s zines, Angela Carter, Octavia Butler, Helen Zahavi – Dark Weekend
  • House of Erzulie inspired by recurring dreams of a gothic house. Researching gothic literary elements. Triptych – three narrators across time. Epistolary structure and mirroring different POVs

“Too much structure hinders the creative process.”

“The first draft is work but also play.”

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#51 – Hester Fox – Write Through The Roof

Welcome to Write Through The Roof, the podcast for writers who want to improve their craft.

Episode 51 with Hester Fox – artist & writer of gothic historical fiction

“A love letter to New England set at this beautiful house.”

Episode 51 – Hester Fox – Show Notes
  • Not necessarily writing every day but doing things ‘writing-related’ every day
  • Tea, snack, cosy-up with the cat or coffee shop ambience
  • Conversion from pantser to plotter
  • Dark, gothic with a happy ending – strong female relationships and romantic love
  • Embracing the darkness as an exposure therapy
  • Making every word count
  • Critique partners – sharing chapter by chapter. Feedback and accountability.
  • Cadence and rhythm in a first draft – making notes to keep the momentum going
  • 19th-century authors – Jane Austen, Dickens, Hardy. More recent – Shirley Jackson, Daphne du Maurier, Susanna Kearsley, Simone St.James, Josh Malerman
  • Historic homes in New England and day job as inspiration for The Witch of Willow Hall. Interacting with objects and houses on a daily basis
  • Second novel – The Widow of Pale Harbour – 1840s Maine during Poe-mania and a gender-flipped retelling of Beauty and the Beast

“Juicy relationships set against a dark background.”

“Making every word pull its weight in a sentence.”

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