Category: Twin Peaks

Good scary versus bad scary – drawing the line in horror

I’ve got horror all around me at the moment. My current work-in-progress is a gothic horror novel, I’m watching a lot of Twin Peaks, enjoying Devil’s Candy and The Stone Tape, anticipating Raw and working my way through the back catalogue of Shirley Jackson.

My question today is why do I like some dark, spooky, scary stuff but not others.

Firstly, I’m curious. Why do we like to be scared?

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Where we’re from, the birds sing a pretty song : rewatching Twin Peaks

While suffering a day of serious procrastination, I binge watched a bunch of Twin Peaks in a row and so messed up my plan for reviewing episode by episode. (Damn you Resistance! You got me that day but I’ve bounced back to get you. See here for more of my battles with Resistance.)

On that Sunday, I let Resistance get the better of me but who doesn’t love a guilty lazy afternoon on the couch? Especially watching something as clever, funny, spooky and weird as Twin Peaks Season 1.

In episodes 2 to 6, the murder investigation gets going with more suspects appearing including the One Armed Man and Jacques Renault. We start to see the real quirky side of Agent Cooper as he explains his unorthodox intuitive methods and we scratch further into the dirty and dark secrets of the small town. Plus lots of coffee and sugar-dusted doughnut porn.

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“She’s dead. Wrapped in plastic”: rewatching Twin Peaks

Twin Peaks Season 3 is coming out in May 2017 and I’ve been meaning to look back at Twin Peaks for a long time. I was sixteen when it was first on television in Tasmania, and it was a strong influence on me. So in anticipation of the new season,  I’m committed to rewatching all 30 episodes, I’m doing it and I’m going to share my thoughts here.

There will be ***SPOILERS*** but come on, it’s been over 25 years since it was shown.

Let’s start with “Pilot” or “Northwest Passage”. Today I’m focusing on my initial feelings and reactions to the whole premise, rather than delving into the plot. More analysis of the plot will probably come later. But this is the episode where it all begins, Laura Palmer is found, Agent Cooper arrives and the crime investigation is underway.

As soon as the titles came up, the sparks of the saw mill, the waterfall, the Douglas firs and the deep slow bass of the theme tune, I was thrust back into 1991. Now, the opening titles font has really dated (day-glo green) but the rest of the design, clothing and setting is timeless, aside from one or two stray mullets.

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