Category: short story

#69 – Alan Baxter – Write Through The Roof

Interview with Alan Baxter, writer of dark weird shit

‘Write caffeinated and edit drunk’

Episode 69 – Alan Baxter – Show Notes

  • Baxter believes plotting and pantsing is a sliding scale.
  • Vomit drafter but often edits a little before starting each day’s writing session
  • Has a target of 5000 words per week when writing first drafts but doesn’t try to write every day
  • Coffee in the day, whiskey in the evening
  • Genre is ‘dark weird shit’ – soup of urban fantasy, horror and the weird plus crime and noir
  • Themes of justice and consequences
  • Time is the most important thing
  • Martial arts mindset – time and commitment – developing a practice and striving for improvement
  • Stepping away from the manuscript to let the brain to work out the problems
  • Short stories can shake up the process, like cross-training
  • Clive Barker, Stephen King, Lovecraft, Poe, Kaaron Warren, Margo Lanegan and comics
  • Short story collection Served Cold leans more into horror and explores Australian identity

Links

#66 – Alison Morton – Write Through The Roof

Interview with alternative history novelist Alison Morton

‘Exercise your writing muscle in different ways on different days.’

Episode 66 – Alison Morton – Show Notes

  • 30% plotter and 70% pantser
  • Black moments: when it all falls apart for the main character
  • Writing versus marketing
  • Tea imported in from England – sergeant major’s tea
  • Wanted to explore female-led action stories with a Roman flavour. But needed to create an alternative history world to feature strong female leaders. Values, betrayal, rebellion, resilience
  • Alternative history research: taking history and twisting it but anchoring back to the facts.
  • Using historical logic – what would have happened if?
  • Collaborating with other writers, exchanging ideas, being accepting and giving
  • A team effort to produce a book
  • Robert Harris’ Fatherland, William Boyd’s Restless, Sebastian Faulks, Lindsay Davis, Georgette Heyer
  • Aurelia: going back to write the backstory of the grandmother of the main character of the Carina Mitela series
  • Writing short stories and novellas

‘30% plotter and 70% pantser.’

‘You do need other people to get a successful book out.’

Links

#62 – Suzanne J Willis – Write Through The Roof

Episode 62 with Suzanne J Willis – fantasy short story & flash-fiction writer

‘The best kind of fairies, you know, the nasty ones’

Episode 62 – Suzanne J Willis – Show Notes

  • A natural pantser but learning to plot and outline. A structure helps to hit the right beats
  • Making notes every day but not writing every day
  • Tea and chocolate – freckles
  • Connection between music and writing: lyrical and poetic.
  • Themes of lack of belonging, search for self or a home, life and music
  • Learning that the language is secondary to the story and the interaction between characters gives rise to the plot
  • Writing novellas: taking up an opportunity
  • Jeanette Winterson, Patricia McKillip, Margaret Atwood, Neil Gaiman, Angela Slater
  • Importance of word of mouth for recommendations
  • Portals and evil fairies in ‘Silver String in between worlds’
  • Novella for Broken Cities shared world for Falstaff Books.
  • Upcoming stories in Syntax & Salt Magazine

‘The language is inseparable from the story itself’

‘It’s a good thing to learn your bad habits.

Links

#57 – Lucy Snyder – Write Through The Roof

Welcome to Write Through The Roof, the podcast for writers who want to improve their craft.

Episode 57 – Lucy Snyder– five times Bram Stoker award-winning writer

‘Tell us what characters think about what they’re seeing.’

Episode 57 – Lucy Snyder – Show Notes

  • Writing the type of fiction she’d like to read
  • Defining ‘weird fiction’
  • Science facts writing and reading informs science-fiction
  • The benefits of writing a poem a week
  • Coffee with milk
  • Themes of real-life loss and trauma mixed with the supernatural
  • Epiphany during a Clarion Writing Workshop – learning about the five-point plot structure
  • Using description as an opportunity to reinforce characterisation – what matters most is what the character thinks about what they’re seeing.
  • Popular fiction and literary fiction
  • Writing a space opera web serial – Broken Eye book Patreon – Eyedelon Magazine
  • Launchpad workshop – astronomy for writers
  • Caitlin R Kiernan, Christa Faust
  • Garden of Eldritch Delights – a collection of fantasy, science fiction & horror stories. Batching up stories of similar themes
  • Next up is the fourth book in the Jessie Shimmer urban fantasy series

‘Poetry is great cross-training’

Links

#41 – Nin Harris – Write Through The Roof

Welcome to Write Through The Roof, the podcast for writers who want to improve their craft.

Episode 41 with Nin Harris – author, poet & Gothic scholar

“I really love to dig into the guts of a novel to see how it works.”

Episode 41 – Nin Harris – Show Notes

  • Inspired to write short stories by Angela Carter
  • Both a plotter and a pantser
  • Water or rooibos tea
  • SFF and gothic but writing about the human experience
  • Identity, memory and difficult connections between people
  • Gothic in space
  • Reading carefully – go outside your fishbowl
  • Throwing books across the room – like a book poltergeist
  • Beat sheets: major beats and minor beats; cause and effect
  • Frances Hardinge, Graham Joyce
  • Different writing depending on mood. Academic v fiction writing

“The first draft does have a bit of vomit in it.”

“For me, space is very gothic.”

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#37 – Emma Viskic – Write Through The Roof

Welcome to Write Through The Roof, the podcast for writers who want to improve their craft.

Episode 37 with Emma Viskic – award-winning crime author

“I kept one word from the story. It was Commodore.”

Episode 37 – Emma Viskic – Show Notes
  • Plantser, vomit and polish
  • Writing at the extreme ends of the day
  • Belonging, communication and loss, deaf and indigenous characters. Exploration of themes throughout a series
  • Training wheels novels
  • Taking the first sentence from a novel chapter to build a short story
  • Short stories teach how to cut words, cut characters and have a clean line throughout
  • The difficulty of a crime short story
  • A 10 month unfinished vomit draft
  • Each book is written in a different way with different pressures; first book, second book and third book
  • Hilary Mantel, Peter Temple, JM Green
  • And Fire Came Down – scars and fire season

“Sending them to the farm to play with the other words.”

“There’s vomit and there’s polish. It’s a mess.”

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